Cooperative US Release Date: A slam-bang dance pop album of the first order -- score one for global musical community. This expanded edition from Cherry Red Records makes the case for hearing it free of the baggage of that alt rock era. It starts with a chanted introduction, some guy repeating non-English words over a synth ostinato, and then Mwamwaya sings a subdued verse that explodes into a jubilant gang chorus of multitracked Mwamwayas. They still use verses and choruses, but they order them in unpredictable ways, or they keep adding stuff and varying their material. Eurotrash bargain basement new wave dance pop, with the occasional moody detour, is business as usual for Stereo Total, and business is good on Ah! An Interview with Charlie Parr After an accident that could have ended his career, folk blues artist Charlie Parr recovered and recorded an album comprised largely of older tunes. 
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It starts with a chanted introduction, some guy repeating non-English words over a synth ostinato, and then Mwamwaya sings a subdued verse that explodes into a jubilant gang chorus of multitracked Mwamwayas.
Hugo accordingly inserts whooosh ing sounds. The Very Best producer Mtmtnk Hugo messes with this beat thoroughly.
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Eurotrash bargain basement new wave dance pop, with the occasional moody detour, is business as usual for Stereo Total, and business is good on Ah! The Greatest Alternative Singles of the '80s: Music The Very Best: A big pre-chorus leads into another chorus, after which the chorus backing music keeps playing, loudly, while our intro chant man ends the song, sounding breathless.
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An Interview with Charlie Parr After an accident that could have ended his career, folk blues artist Charlie Parr recovered and recorded an album comprised largely of older tunes.
A French producer recently left the group. Cooperative US Release Date: Composer Mario Diaz de Leon Merges the Acoustic and Electronic on 'Cycle and Reveal' album stream premiere Composer Mario Diaz de Leon uses traditional classical instruments in combination with experimental electronics on his latest album Cycle and Reveal featuring four recent works.
Hugo and Mwamwaya add little beyond some electronic blips and, I assume, studio-processed atmosphere, but the tune still fits their Africa-for-Western-ears vibe.
He changes textures several times within individual songs, and he pumps climaxes full of more elements than you bewt count.
Delicious Lips, Delicious Text: Hear it in full now. A slam-bang dance pop album of the first order -- score one for global musical community.
But what Mwamwaya lacks in distinctiveness, he makes up in versatility. On It Ain't the Same, Minneapolis singer-songwriter Jack Klatt offers hope that love and joy can still besst the darkness of a world turned upside down. But this album feels more seamless than a mashup.
Hugo and Mwamwaya also cross musical borders by playing with song structure.
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